{"id":11,"date":"2015-03-21T11:27:59","date_gmt":"2015-03-21T09:27:59","guid":{"rendered":"http:\/\/lq.kunstundwohnen.de\/wordpress\/?page_id=11"},"modified":"2025-02-28T16:03:50","modified_gmt":"2025-02-28T14:03:50","slug":"26-50","status":"publish","type":"page","link":"http:\/\/www.literarisches-quartett-tuebingen.de\/?page_id=11","title":{"rendered":"Chronologisch 2000 – 2004"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
26<\/td>\nG\u00fcnter Grass<\/td>\n\u00d6rtlich bet\u00e4ubt<\/em><\/strong><\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nS\u00e1ndor M\u00e1rai<\/td>\nDie Glut<\/em><\/strong><\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nBirgit Vanderbeke<\/td>\nAlberta empf\u00e4ngt einen Liebhaber<\/em><\/strong><\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nLuigi Malerba<\/td>\nDie nackten Masken<\/em><\/strong><\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nMichel Houllebecq<\/td>\nElementarteilchen<\/em><\/strong><\/a><\/td>\n2\/3<\/td>\n2<\/td>\n1\/2<\/td>\n1\/2<\/td>\n<\/td>\n(1,88)<\/em><\/td>\n<\/tr>\n
31<\/td>\nPaul Auster<\/td>\nIm Land der letzten Dinge<\/em><\/strong><\/a><\/td>\n3\u2013<\/td>\n2\/3<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n(2,44)<\/em><\/td>\n<\/tr>\n
32<\/td>\nHaruki Murakami<\/td>\nGef\u00e4hrliche Geliebte<\/em><\/strong><\/a><\/td>\n2\u2013<\/td>\n2\u2013<\/td>\n3\u2013<\/td>\n3<\/td>\n<\/td>\n(2,68)<\/em><\/td>\n<\/tr>\n
33<\/td>\nKarl-Heinz Ott<\/td>\nIns Offene<\/em><\/strong><\/a><\/td>\n2\/3<\/td>\n2+<\/td>\n1\/2<\/td>\n1\/2<\/td>\n<\/td>\n(1,81)<\/em><\/td>\n<\/tr>\n
34<\/td>\nMartin Suter<\/td>\nSmall World<\/em><\/strong><\/a><\/td>\n2+<\/td>\n2\/3<\/td>\n2\/3<\/td>\n3<\/td>\n<\/td>\n(2,44)<\/em><\/td>\n<\/tr>\n
35<\/td>\nW.Genazino<\/td>\nEin Regenschirm f\u00fcr diesen Tag<\/em><\/strong><\/a><\/td>\n3<\/td>\n1\/2<\/td>\n1\/2<\/td>\n1\/2<\/td>\n<\/td>\n(1,88)<\/em><\/td>\n<\/tr>\n
36<\/td>\nFlorian Illies<\/td>\nGeneration Golf<\/em><\/strong><\/td>\n2<\/td>\n1\/2<\/td>\n1\/2<\/td>\n1\/2<\/td>\n<\/td>\n(1,63)<\/em><\/td>\n<\/tr>\n
37<\/td>\nUwe Timm<\/td>\nRot<\/em><\/strong><\/a><\/td>\n2\u2013<\/td>\n3<\/td>\n2\u2013<\/td>\n2\/3<\/td>\n<\/td>\n(2,50)<\/em><\/td>\n<\/tr>\n
38<\/td>\nF.M.Dostojewskij<\/td>\nDer Spieler<\/em><\/strong><\/a><\/td>\n3\u2013<\/td>\n2\/3<\/td>\n3\/4<\/td>\n3+<\/td>\n<\/td>\n(2,75)<\/em><\/td>\n<\/tr>\n
39<\/td>\nMartin Walser<\/td>\nTod eines Kritikers<\/em><\/strong><\/a><\/td>\n4<\/td>\n2<\/td>\n4+<\/td>\n3\u2013<\/td>\n<\/td>\n(3,25)<\/em><\/td>\n<\/tr>\n
40<\/td>\nPaulo Coelho<\/td>\nDer Alchimist<\/em><\/strong><\/a><\/td>\n4<\/td>\n4+<\/td>\n3\/4<\/td>\n4<\/td>\n<\/td>\n(3,81)<\/em><\/td>\n<\/tr>\n
41<\/td>\nZsuzsa B\u00e1nk<\/td>\nDer Schwimmer<\/em><\/strong><\/a><\/td>\n1\u2013<\/td>\n2\u2013<\/td>\n1\/2<\/td>\n2+<\/td>\n<\/td>\n(1,69)<\/em><\/td>\n<\/tr>\n
42<\/td>\nJudith Hermann<\/td>\nSommerhaus, sp\u00e4ter<\/em><\/strong><\/a><\/td>\n2\u2013<\/td>\n2\/3<\/td>\n2+<\/td>\n2<\/td>\n<\/td>\n(2,13)<\/em><\/td>\n<\/tr>\n
43<\/td>\nAntonio Sk\u00e1rmeta<\/td>\nMit brennender Geduld<\/em><\/strong><\/a><\/td>\n1<\/td>\n1<\/td>\n1\/2<\/td>\n1\u2013<\/td>\n<\/td>\n(1,19)<\/em><\/td>\n<\/tr>\n
44<\/td>\nViviane Forrester<\/td>\nDer Terror der \u00d6konomie<\/em><\/strong><\/a><\/td>\n6<\/td>\n4<\/td>\n4<\/td>\n4\/5<\/td>\n<\/td>\n(4,63)<\/em><\/td>\n<\/tr>\n
45<\/td>\nM.Frederiksson<\/td>\nEva<\/em><\/strong><\/a><\/td>\n4<\/td>\n5\/6<\/td>\n4+<\/td>\n5\/6<\/td>\n<\/td>\n(4,69)<\/em><\/td>\n<\/tr>\n
46<\/td>\nF.Nietzsche<\/td>\nAlso sprach Zarathustra<\/em><\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
47<\/td>\nIrvin D. Yalom<\/td>\nUnd Nietzsche weinte<\/em><\/strong><\/a><\/td>\n1<\/td>\n1<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n(1,25)<\/em><\/td>\n<\/tr>\n
48<\/td>\nYasmina Khadra<\/td>\nDie Schwalben von Kabul<\/em><\/strong><\/a><\/td>\n3\/4<\/td>\n4\u2013<\/td>\n2\/3<\/td>\n2<\/td>\n<\/td>\n(2,94)<\/em><\/td>\n<\/tr>\n
49<\/td>\nMarkus Werner<\/td>\nAm Hang<\/em><\/strong><\/a><\/td>\n4+<\/td>\n2+<\/td>\n1\/2<\/td>\n1\u2013<\/td>\n<\/td>\n(2,06)<\/em><\/td>\n<\/tr>\n
50<\/td>\nLars Gustafson<\/td>\nDer Dekan<\/em><\/strong><\/a><\/td>\n4<\/td>\n4<\/td>\n3\u2013<\/td>\n4\/5<\/td>\n<\/td>\n(3,94)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

26 G\u00fcnter Grass \u00d6rtlich bet\u00e4ubt 27 S\u00e1ndor M\u00e1rai Die Glut 28 Birgit Vanderbeke Alberta empf\u00e4ngt einen Liebhaber 29 Luigi Malerba Die nackten Masken 30 Michel Houllebecq Elementarteilchen 2\/3 2 1\/2 1\/2 (1,88) 31 Paul Auster Im Land der letzten Dinge … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/pages\/11"}],"collection":[{"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11"}],"version-history":[{"count":35,"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":2082,"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions\/2082"}],"up":[{"embeddable":true,"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"http:\/\/www.literarisches-quartett-tuebingen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}